LUCY H G     the League of Imaginary Scientists

biographical narrative
workofbox.org | imaginaryscience.org              theLeague@imaginaryscience.org

Lucy H G is a media artist, a filmmaker, and the interdisciplinary research coordinator for the League of Imaginary Scientists.  Her visual experiments, creative diagrams, and interactions fit in between realms, where microbiology mingles with geopolitics and mechanical engineering animates human biology.

 

EDUCATION

The Kitchen Summer Institute: Performance, Technology, and Text: 2002
Claremont Graduate University.  M.F.A.:  Multimedia:  2001
Armory Center for the Arts fellowship program:  2001
Boston College.  B.A.:  Philosophy, Studio Art:  1997
Universidad San Francisco de Quito:  Fine Art:  1995

FILMS
Onsdag, 6:45 AM, filmed in Trondheim, Norway – 2007 (HG Solomon)
Wednesday, 2:45 pm, filmed in Sydney, AU - 2006 (HG Solomon)

INTERACTIVITIES/ INTERMEDIA

• Esther is Crawling.  Interactive multimedia performance in development with choreographer Emma Nordanfors for the Danish Arts Council, premiering in Copenhagen:  January, 2009.
• Dream Assembly Line.  Dreams constructed by the city of Tábor in collaboration with the League of Imaginary Scientists, at the Cultural Exchange Station in Tábor (CESTA) in the Czech Republic:  2008.
• Finding Aurora.  Interactivities developed with choreographer Emma Nordanfors and Carolina Bäckman, presented as a workshop at Tanz Fabric in Berlin in December, 2008, scheduled for presentation at the 2008 Milkbar Live International Film Festival in San Francisco and Electrofringe in Australia:  2008.
• The Childhood Machine.  Bicycle-powered interactive installation providing Idea Therapy for an ailing Western Civilization; presented at Babel Art Space in Trondheim, Norway:  August, 2007.
• thirty-seven isolated events.  Immersive video and movement with choreographer paige starling sorvillo and imaginationandmymother, presented at the San Francisco Asian Art Museum in January, 2007, and at CounterPULSE for the 2008 San Fransisco International Arts Festival.
• The League of Imaginary Scientists: visualizing undone history for the world.  Interactive timeout machine and display of the League’s catalog of undone acts, as part of Command Z at the Torrance Art Museum in Torrance, California:  March – May, 2007.
• Meta-physical.  Remote physical and display of verbal narcotics developed by the League of Imaginary Scientists; presented by NewTown at the Armory Center for the Arts in Pasadena, California:  May, 2007.
• A Live Diagram of the Human Condition (an Imaginary Science experiment).  Interactive performance drawn with media by the League, movement by Blindsight, and sound by George Cremaschi; presented through MilkBar 2007 International Live Film Festival at CounterPULSE in San Francisco:  2007.
• Blazar.  Demonstration of the League of Imaginary Scientists’ dupliporter for teleporting objects; display of the League’s collection of artifacts at The Office in Huntington Beach, California:  November, 2006.
• Remote Tea Party.  Real-time data interaction at California Institute of the Arts, in collaboration with Shane Hazleton, Miwa Matreyek, Jeremy Schwartz, and Jihyun Song:  September, 2006.
• Breathing with Someone.  Interactive installation/ multimedia performance with Danish dance company E.K.K.O and Angela Chong at the Cultural Exchange Station in Tábor, Czech Republic:  August, 2006.
• Alpha Zuppa.  Interactive, telematic performance feast in collaboration with Melissa Ramos, Rhys Turner, and Francesca Veronesi; developed and presented through the Johannes Birringer Physical Camera and Telematics workshop at Performance Space in Sydney:  May, 2006.
• Reworld.  Live, interactive multimedia theater performed by Jamie Harrison and Ruth Sergel; developed and presented through the Troika Ranch workshops in New York:  July, 2005.
• Ghost in the Machine.  Live, interactive multimedia composition, in collaboration with composer Matt McBane and the Calder Quartet; Carlsbad Music Festival 2005; Grand Canyon Music Festival 2005.
• Sitting With Stern Ibolyka.  Live, interactive video and theater with theater artist Yvette Feuer; presented at The Kitchen in New York (summer works in progress) and at Crazy Space in Los Angeles in 2002, Dixon Place in New York and Sarah Lawrence College in New York in 2003.

SELECTED NETWORKED PERFORMANCES

• El Festival Internacional de la Imagen (Aether9) in Manizales, Colombia:  April, 2008.
• 2008 Mapping Festival (Aether9) at Bâtiment d'Art Contemporain (BAC) in Geneva:  April, 2008.
• NetUser4 (Aether9) at the International Working Camp in Bulgaria:  July, 2007.
• Remote Fairytales (Aether9) at Maison d’Art Actuel des Chartreux (MAAC) in Brussels; the League of Imaginary Scientists in collaboration with the Aether9collective:  June, 2007.
• 2007 Mapping Festival (Aether9) at Bâtiment d'Art Contemporain (BAC) in Geneva:  May, 2007.
• N-Avatar.  Presentation of telematic work at the TAFE Gallery in Newcastle, Australia:  September, 2006.
• Avatar x.  Live, interactive performance located simultaneously at the University of London and at Performance Space in Sydney:  September, 2006.

SELECTED SITE-SPECIFIC INSTALLATIONS and PUBLIC ART PROJECTS

• Rome, Italy:  Rome’s Mobile Timeline, a bicycle tour and interactive audio archive for The Eternal Tour; created with Liz Kueneke and narrated by collaborators from places around the world named Rome, like Roma, Indonesia:  July, 2008.
• Oakland, California:  The MilkBar; an interactive research project into the benefits and dangers of the many varieties of milk:  created and performed in collaboration with Merlin Coleman for The Milk Bar #20 at The Biscuit Factory:  April, 2008.
• Newcastle, Australia:  Climate Change is Happening, collaborative urban video installation, created and presented in conjunction with Electrofringe’s Sight/Sound/Site workshop:  March, 2006.
• Lademoen Kunstnerverksteder in Norway:  H2O, video installation:  February, 2005.
• University of California, San Diego:  alteration/enhancement of an existing physical network – the outdoor lighting system – as a nervous system:  February, 2004.
• Pomona, California:  Living Large, collaborative guerilla video projection with Jacalyn Lopez-Garcia onto the wall of a bank in Pomona, California:  January, 2004.
• Centre Cívic in Barcelona:  public art installation in Spain:  September - October, 2003.
• Japanese American National Museum:  video installation in the Hirasaki Theater Gallery in Los Angeles:  August, 2002.
• Los Angeles County Museum of Art (LACMA), Muse Event:  video installation:  April, 2002.
• La Panaderia Gallery in Mexico City:  video installation for Catastrophica, Mexico:  January, 2002.

SELECTED SOLO EXHIBITIONS

• League of Imaginary Scientists.  Babel: Lademoen Kunstnerverksteders Visningsrom for Kunst in Trondheim, Norway:  August – September, 2007.
• Simple Cell > The League of Imaginary Scientists.  Live portal to a black hole and collection of dematerialized matter at The Office in Huntington Beach, California:  November – December, 2006.
• Microdot.  Imaginary Science video diagram at the University of Newcastle in Australia:  May, 2006.
• Una Ciencia de lo Imaginario (A Science of the Imaginary).  Works from the Imaginary Science series, curated by Camilo Sanchez, exhibited through the Asociacion Colombiana para el Avance de la Ciencia in celebration of the World Year of Physics, at Museión in Bogotá, Colombia:  October, 2005.
• Beneath the North Sea.  Interactive, immersive digital video installation at Gallery Blunk in Trondheim, Norway:  February, 2005.
• Through the Loophole.  Video installation, digital constructs and digital wall drawings at the Harris Gallery at the University of La Verne in La Verne, California:  April – May 28, 2004.
• Window Currents.  Video and photography exhibition at The Armory Center for the Arts at One Colorado in Pasadena, California:  March, 2002.
• Two Humps.  Immersive video installations and photography at The Hatch Gallery in Los Angeles, California:  November, 2001.
• Content/Context.  Thesis exhibition at Claremont Graduate University:  April – March, 2001.

SELECTED GROUP EXHIBITIONS

• San Francisco International Arts Festival.  Immersive intermedia at CounterPULSE; movement by Blindsight; sound by imaginationandmymother:  May, 2008.
• The Audacity of Desperation.  Really Real Estate™ at the Urbana Champaign Independent Media Center in May and Sea and Space in Los Angeles in Fall, 2008.
• Four Degrees: Artistic Views on Climate Change.  Exhibition of Really Real Estate™ at the KIPP Gallery at Indiana University of Pennsylvania, showcasing the League’s campaign to vacate a warming planet and colonize space and sea:  February, 2008.
• Electrofringe.  Screening of A Live Diagram of the Human Condition at emerging and experimental arts festival in Newcastle, Australia:  September, 2007.
• MAS (Multiplication of Art Spaces):  Domocili en Permuta.  Imaginary Science and siteology in Barcelona:  May, 2007.
• Command Z.  Imaginary Science at The Torrance Art Museum in California:  March – May, 2007.
• Medical/Arts.  Imaginary Science at The Armory Center for the Arts in Pasadena, California:  May, 2007.
• Artscene: 25, the Los Angeles Art Awards.  Imaginary Science experiment on display at the Los Angeles County Museum of Art (LACMA):  April, 2007.
• Dream Green.  Imaginary Science at Cisco Home in Pasadena, California:  April, 2007.
• SANCTA.  Imaginary Science installation at Steve Turner Contemporary Gallery:  March – April, 2007.
• Asian Fusion Gallery, Asian Cultural Center.  Documentation from the League of Imaginary Scientists presented in conjunction with CGU/the College Art Association conference in New York:  February, 2007.
• MilkBar’s 2007 International Live Film Festival at CounterPULSE in San Fransisco:  February, 2007.
• Hausguests.  The Brewery Project in Los Angeles, California:  February – March, 2007.
• Blips, Drips and Strips.  Upfront Gallery in Ventura, California:  December, 2006 – January, 2007.
• Visualizing Trans.  Imaginary Science at the Kupfer Center in Madison, Wisconsin:  October, 2006.
• Living Large at Fort Collins Museum of Contemporary Art:  October – November, 2006.
• Strach Vnímání a Logika (Sense of Fear).  Art Festival of International Interdisciplinary Collaborations at the Cultural Exchange Station in Tábor (CESTA) in the Czech Republic:  August, 2006.
• IMAF 2006 (In)place of fear.  Performance documentation of ReWorld; curated by Nenad Bogdanovic at the Multimedia Art Studio in Serbia and Montenegro:  2006.
• Never Leaving Aztlan.  Digital video at the Museo de las Americas in Denver:  February – May, 2006.
• Dwellings.  Digital video at the Los Angeles Municipal Art Gallery in Los Angeles:  September, 2005.
• See You at Home.  Digital video construct included at Grove Lane in London:  October, 2005.
• SoundWalk 2005.  Survey of sound installations in Long Beach, California:  August, 2005.
• Eclectic Experimental Shorts.  Film and Video screening at Gallery 825:  August, 2005.
• Off the Map.  Digital video installations in Mount Washington abode in Los Angeles: July, 2005.
• A Change in Temperature.  Digital construct at the Market Gallery in Los Angeles:  May, 2005.
• Glass Sky, Celluloid Moon.  Video construct included at Claremont Graduate University:  August, 2004.
• City Life Video Festival.  Digital Animation screened at multiple venues in Los Angeles:  2004.
• Impromptu:  Improvisation with Digital Media.  UCR California Museum of Photography:  September, 2002 - January, 2003.
• LA Freewaves 2002, Biennial Festival of Experimental Media Arts.  Digital Video on view at UCR California Museum of Photography: November, 2002.
• eBent'02.  Video Performance documentation included in video on demand at the Centre of Contemporary Culture of Barcelona in Spain:  October - November, 2002.
• VoiceLab Performance Series.  Interactive Video Performance at Dixon Center in New York: 2002.
• Barnsdall Art Park Video Exhibition.  Mobile Video Installation for Art Crawl:  September, 2002.
• The Kitchen Summer Institute Performance Series.  Interactive Video Performance with Yvette Feuer at The Kitchen in New York:  June, 2002.
• River Alchemy.  Bird Calls, audio installation along the Los Angeles River, presented by the Arroyo Arts Collective:  April, 2002.
• Mentor/Student Exhibition.  Mentor/artist at the Luckman Gallery, California State University, Los Angeles:  January, 2002.
• Suitcase II: Travelogue.  Video Sculpture at Gallery Cradle in Yokohama, Japan:  September, 2001.
• Suitcase I: Metropoly.  Digital Video at The Hatch Gallery in Los Angeles, California:  August, 2001.
• Artists Resocializations.  Video Sculpture at Beyond Baroque in Venice, California:  June, 2001.
• Mission: Intergalactic.  Video installation at the Armory Center for the Arts in Pasadena:  April, 2001.
• Visual Lexicon.  Video included in faculty art exhibition at El Camino College in California:  2001.
• Photographic Processes of Seeing.  Photography included in international photography exhibition at Church of the Epiphany in New York:  February - March, 2001.
• Image 2000.  Digital images at Art Centre of Plano in Plano, Texas:  November, 2000 – January, 2001.
• Altars and Installations.  Video/Mixed-Media Installation at the Huntington Beach Art Center in California:  October – November, 2000.
• The Invention of Progression.  The Laboratory in Los Angeles, California:  June – July, 2000.
• Come Home.  Video Installations at artist’s home in Claremont, California:  April, 2000.
• L.I.C.E.  Multimedia performance at Track 16 Gallery in Santa Monica, California:  March, 2000.
• A Sense of Place.  Mixed-Media/ Photography included in juried exhibition at Associated Artists in Winston-Salem, North Carolina:  Fall, 1999.

CONFERENCES/ TALKS/ WORKSHOPS
Electrosalon.  TEAS Intercontinental Media Arts and Performance Discussion presented online through the Escape Artists in Vancouver, Canada:  April, 2008.
El Festival Internacional de la Imagen:  Remote participation in Realtime Jam Sessions Workshop presented with Aether9 at Manizales, Colombia and online:  April, 2008.
The Gerrit Rietveld Academie:  Remote participation in intercontinental Cym-directed workshop on real-time performance and Aether9 in Amsterdam:  March, 2008.
California State University, Northridge:  Intersections between Interactivity and Public Art:  2008.
Mutamorphosis: Challenging Arts and Sciences:  Really Real Estate™ unveiled in Prague, Czech Republic; organized by CIANT, Leonardo, and the Hexagram Institute:  2007.
Samand Íslenskra Myndlistarmanna (SIM:  The Association of Icelandic Visual Artists):  presentation of works by The League of Imaginary Scientists:  2007.
VJ Theory:  Let’s Chat – What is Realtime Interaction?  Intercontintental networked discussion on VJ Theory, Practice and Future Directions Locally and Globally, presented by The Escape Artists:  2007.
University of Wisconsin, Madison:  Imaginary Science at TRANS Visual Culture Conference:  2006.
California Institute of the Arts:  Presentation of Imaginary Science and interactive works:  2006.
Electrofringe (Newcastle, Australia):  Telematic presentation on networked media and streaming technologies at Electrofringe:  September, 2006.
University of London:  Presentation on network (mis)communication at (re)Actor: The First International Conference on Digital Live Art:  September, 2006.
Cultural Exchange Station (Tábor, Czech Republic): Artist talk:  2006.
University of Newcastle (Ourimbah, Australia):  Presentation of videos and interactive works:  2006.
Los Angeles Municipal Gallery:  Presentation of Dwellings, hybrid of technology and architecture:  2005.
Museión (Colombia):  Presentation on video installations in the Imaginary Science series:  2005.
Lademoen Kunstnerverksteder (Norway):  “A Science of the Mundane,” a presentation on hybrid science and technology art works dealing with elements from everyday life:  2005.
Gallery Blunk (Norway):  Artist talk:  2005.
Museum of Making Music (Carlsbad, California):  Panelist for Live Program Notes, a discussion on collaboration for live multimedia:  2005.
University of California, San Diego:  Artist/participant in Powering Up/Powering Down:  2004.
University of La Verne (California):  Artist talk:  2004.
Los Angeles Mission College:  Presentation of a series of workshops on Interdisciplinary Collaboration for faculty at Los Angeles Mission College:  2003.
Los Angeles Mission College: workshop series, A Career in the Arts and Multimedia:  2002.
Claremont Graduate University (California):  Panelist for Theory and Practice:  2000.

RESIDENCIES and INTERNATIONAL COLLABORATIVE RESEARCH
Creative researcher at e-MobiLArt in Greece, Finland, and Austria:  2008 – 2009.
Artist in residence at the Cultural Exchange Station in Tabór, Czech Republic:  2008.
Interactive researcher in interactive movement at Tanzfabrik in Berlin:  2007.
Artist in residence at Lademoen Kunstnerverksteder in Trondheim, Norway:  2007.
Media Artist in residence with dance collaborative Blindsight:  2007
Artist in residence at California Institute of the Arts in Valencia, California:  2006.
Artist in residence at the Cultural Exchange Station in Tabór, Czech Republic:  2006.
Artist in residence at the Gunnery Studios in Sydney, Australia:  2006.
Artist at Troika Ranch Interactive Isadora Workshops in New York:  2005.
Guest Artist at Trondheim Academy of Fine Art:  2005.
Artist in residence at Lademoen Kunstnerverksteder in Norway:  2005.
Artist at The Kitchen Summer Institute at The Kitchen in New York:  2002.

ARCHIVES

• Knocking on Bricks: Artists vs. Institutions (knockingonbricks.com).  The series Transit…postcards for refugee camps is included in an artist-initiated internet survey of art interventions.
• Imaginary Science (Blazar, Live Diagram, Catalog) in the DVD collection of the National Museum in Wroclaw, Poland (in association with WRO 07, the 12th International Media Art Biennale).
• IMAF performance documentation archive at the Multimedia Art Studio in Serbia and Montenegro.
• CESTA archive in Tábor, Czech Republic:  interactive artist catalog and festival performance documentation included in collection.
• California Institute of the Arts library:  Imaginary Science and InterActivities in DVD collection.
• Centre for Research and Documentation (CR+D) Archive, an arm of the Daniel Langlois Foundation.
• European Media Art Festival (EMAF 2006) Film, Video, and Interactive archive in Osnabrück.
• 2005 International Videofestival Bochum in Germany:  video constructs included in DVD archive.
• Club8 Difusió of the Performance video archive in Spain: Sitting with Stern Ibolyka in the video action file.
• The Kitchen video archive in New York:  documentation of video performance included in collection.

CATALOGS and BOOKS

• Resonance.Network.Mission.007.  Catalog and DVD of the third biennial re.sonance.007 festival, produced by sonance artistic.network:  2008.
• Four Degrees: Artistic Views on Climate Change.  Catalog, produced by the KIPP Gallery at Indiana University of Pennsylvania, edited by Robert Sweeny:  2008.
• (Untitled) u =_____.  Catalog (mathemetaphysics of representation), produced by Fette’s Gallery:  2008.
• IMAF 2006.  Catalog, produced by the Multimedia Art Studio in Serbia and Montenegro:  2006.
• See You at Home.  Catalog, produced by curator Miranda Peake:  2005.
• Off the Map.  Catalog, produced by curator Corina Gamma:  2005.
• SoundWalk 2005.  Catalog, produced by Flood:  2005.
• The Story of Homelessness: Cardboard Lofts.  Art book, produced by Selah Art Center:  2005.
• Image 2000.  Catalog, produced by Art Centre of Plano, Texas:  2000.
• Digital Anticipations.   Catalog with essay by Kurt Foreman, produced by Boccalero Gallery:  2000.
• A Sense of Place.  Catalog, produced by Associated Artists of Winston-Salem, Inc.:  1999.
• (re)Actor.  Program notes and abstracts, produced by the University of London (Queen Mary):  2006.
• Powering Up/ Powering Down.  Publication of abstracts, produced by the University of California, San Diego and the Neuroscience Institute:  2004.

FELLOWSHIPS, INSTITUTIONAL SUPPORT, and HONORS

• Proposal stipend for further development of public art concept from the University of La Verne:  2008.
• Research and participation stipend from the European Mobile Lab for Interactive Media Artists:  2008.
• Danish Arts Council grants for presentation (Esther is Climbing):  2008.
• Zellerbach Family Foundation and Theater Bay Area CA$H Award (37 isolated events):  2008.
• Meet the Composer commission for new music and multimedia:  2008.
• Izzie Award (Isadora Duncan Dance Award) nomination for Visual Design of 37 Isolated Events:  2008.
• sitemaping.ch Swiss funding to Aether9 for new development in media arts:  2007 – 2008.
• Danish Arts Council grants for research (Finding Aurora):  2007.
• Production package from NRK Television in Norway:  2007,
• Clas Ohlson product grants for interactive installation and film work in Norway:  2007.
• Royal Norwegian Consulate General grant for creative development and artistic exchange:  2007.
• Project-based support from TEKS – Trondheim Electronic Arts Centre (The Childhood Machine):  2007.
• Project-based support from Arts NSW, Artspace/Gunnery Studios, and AMR Interactive (Wednesday 2:45 pm):  2006.
• Artist Resource for Completion grants from the Durfee Foundation:  2004, 2005.
• Animation included in MoveOn DVD of political films:  2004.
• Education Grant to fund faculty collaboration workshops at Los Angeles Mission College:  2003.
• Education Grant to fund seminars on practical concerns of Art students:  2002.
• Technology Grant from Los Angeles Mission College for a multimedia presentation at Dixon Place in New York:  2002.
• Travel Grant from Claremont Graduate University for research in Spain:  2001.
• Armory Art Fellowship from The Armory Center for the Arts in Pasadena, California:  2000 – 2001.
• Laura Fernandez Award in Art from Claremont Graduate University:  2001.
• Art and Institute Fellowships from Claremont Graduate University:  1999 – 2001.
• Webmasters Excellent Site Award from Webmasters Awards:  2000.
• Key Site Award for web design from Fortress Awards:  2000.
• Juror’s Choice Award.  Contemporary Artwork - 1997; Juror:  Natalie Charkow, presented by the Erector Square Gallery in New Haven, Connecticut: December, 1997.

SELECTED REVIEWS

• The Penn.  “Kipp Gallery Displays Global Warming Concerns,” by Michael Waters:  February 12, 2008.
• Udresfeabifen (Trondheim Daily Newspaper).  “Lekestue på babel: Med utstillingen ‘The Childhood Machine’ håper kunstnere fra The League of Imaginary Science…,” by Mari Rokkan:  August 18, 2007.
• El Mundo (Catalunya, Spain).  “Los Okupas del Arte,”  July 20, 2007.
• LA Weekly.  “SANCTA at Steve Turner Contemporary,” by Peter Frank:  April 24, 2007.
• Los Angeles Times.  “Group Show Wants to Take You Away,” by Leah Ollman:  April 6, 2007.
• Rave!  Daily Breeze/ Arts and Entertainment.  “Pixel Perfect:  Interactive Digital Photography Exhibit at Torrance Museum puts Images in Motion,” by Jim Farmer:  Friday, March 30, 2007.
• OC Weekly.  “Devo Mixed With Seventh Grade,” by Theo Douglas:  November 22, 2006.
• Obscene Jester:  the performance art blog.  “The Game’s the Thing,” by Sharkskin Girl: 
  October 29, 2006.
• The Badger Herald (Madison, WI).  “Exhibit Transcends Visual Boundaries,” by Luke Magalsky: 
  October 19, 2006.
• Denver Westword.  “Turf Wars:  Old-school…,” by Michael Paglia:  March 2, 2006.
• Rocky Mountain News (Denver).  “‘Never Leaving’..,” by Mary Voelz Chandler:  February 17, 2006.
• The Grunion Gazette (Long Beach, CA).  “Soundwalk Signals City’s Artistic Future,” by James Scarborough:  September 1, 2005.
• Los Angeles Times.  “An All-Around Soundfest,” by Lynne Heffley:  August 19, 2005.
• The San Diego Union-Tribune.  “What is the Relationship Between Technology, Gender, Race…?” by George Varga:  January 11, 2004.
• Le Cool (Spain).  “Arquitectura Inversa,” by Helena Febrés:  October 3, 2003.
• El Universal (Mexico).  “Exposiciones:  El Arte Viaja en Maleta,” by Pablo Campos:  January 11, 2002.
• The Dallas Morning News.  “Diverse Styles of Photography…,” by Tom Sime:  November 29, 2000.
• Los Angeles Times’ Orange County Edition.  “Grave Events,” by Vivian Letran:  November 1, 2000.
• Winston-Salem Journal.  “Imagination’s Place,” by Tom Patterson:  October 3, 1999.
• The Sentinel & Enterprise.  “Many messages, many mediums:  New Fitchburg Art Museum exhibition…,” by Andrienne Clark:  December 24, 1997.
• New Haven Register.  “At Erector Square…,” by Judy Birke:  November 16, 1997.
• Saint Louis Post-Dispatch.  “A Different Sort of Canvas:  Television…,” by Robert W. Duffy: 
  June 13, 1993.

SELECTED PUBLICATIONS

• Juxtapoz Art & culture Magazine (online).  “Knocking on Bricks, Artists vs Institutions:”  May 1, 2008.
• Dariola.net (Spanish-language Internet forum on art and technology).  “AEther9 – relatos remotos en tiempo real,” by Lourdes:  February 17, 2008.
• Under Dusken (Trondheim, Norway).  “Med makrell i hovedrollen,” by Per Magnus Nordrum Riseng: August 28 – September 10, 2007.
• Trøndelag Kulturnett.  “Utstillingen The Childhood Machine på babel,” by Siri Thue Unsgård: 
  August 14, 2007.
• Sqeeze OC.  “Picks of the Week,” by Cynthia Rupe for November 16 – 22, 2006.
• Artmagazin (Internet Magazine, from Novi Sad, Serbia).  “Me?unarodni Festival Multimedijalne Umetnosti (Eighth International Multimedia Art Festival,” texts by Juniper Perlis and Nenad Bogdanovic:  August, 2006.
• Chican@ Art Magazine (Internet Magazine).  “Never Leaving Aztlan,” posted by Laura Molina: 
  January, 2006.
• KOCT TV.  Screening of documentation of multimedia performance Ghost in the Machine: 
  throughout 2005.
• Tunisia TV 5 and Internet Fiesta.  Interview about “A Science of the Imaginary” broadcast globally over the internet and on television in Colombia:  October 11, 2005.
• Colorin Color Radio, Colombia FM radio station.  Interview on exhibition in connection with Colombia’s celebration of the World Year of Physics:  October 12, 2005.
• The Orange County Weekly, Art Section.  “Be Hear Now:  ‘SoundWalk Recognizes Sound as “Something,’” by Chris Ziegler:  Vol. 10, No. 50 August 19-25, 2005.
• Los Angeles City Beat.  “Aural Examinations,” by Rebecca Epstein:  August 18, 2005.
• Downtown Gazette (Long Beach, CA).  “Tune in to the Sounds Around,” by R. G. Golightly: 
  August 15, 2005.
• The San Diego Union-Tribune, North County Night and Day Section.  “’Ghost’ Riders, and More,” by Marcia Manna:  April 28, 2005.
• The North County Times.  “Multimedia and Rock Classics Highlight Second Annual Carlsbad Music Festival,” by Pam Kragen:  April 27, 2005.
• The San Diego Union-Tribune.  “Carlsbad’s Music Festival Spotlights the Nontraditional,” by Mary Curran-Downey:  April 24, 2005.
• Rim Magazine.  “About Curating Glass Sky; Celluloid Moon,” by Shoshana Brand: Autumn, 2004.
• Cal-(IT)2 (Internet Site).  “Teknica Radica and UCSD Present Powering Up…”: January, 2004.
• Sundial.  “Video Festival at CSUN Challenges Senses of Viewers,” by Andrea Wenke:  Thursday February 19, 2004.
• The Los Angeles Times.  Best Bets.  Art installation featured:  September 19, 2002.
• Mexican News Television Broadcast.  Artwork featured:  January 10, 2002.
• El Universal (Mexico).  “Exponen el Arte en Maleta,” by Arturo Martinez:  January 10, 2002.
• All About the Red Fox.  Artwork included in German Publication:  2000.
• The Dallas Morning News.  “Image 2000,” by Mike Daniel:  December 8, 2000.
• The Dallas Observer.  “Nothin’ but Net,” by Annabelle Massey Helber:  November 23, 2000.
• Plano Profile.  “A World View,” by Cindy Boykin:  November, 2000.
• Artweek.  “Altars & Installations,” by Berin Golonu:  October, 2000.
• Los Angeles Times.  “Pick of the Week,” (for Saturday, March 24) by Peter Frank:  March, 2000.
• Photographs featured in Video on Women’s Artwork.  Produced by Carol Lark and the Visual Dialogues Gallery in Saint Louis, Missouri:  January, 1998.
• St. Louis Front Page Vol. 2 No. 43 (Internet Magazine).  Write-up on title page:  November, 1997.
• True Colors  Magazine.  Photographs published:  Spring, 1997.
• Naked Singularity.  Photograph published:  January, 1997.
• Missouri Moments in Science, video series.  Graphics for closing credits.  Produced by the University of Missouri Saint Louis Center for Science and Technology:  1992.
• Saint Louis Post-Dispatch.  “Start with Art,” by Phyllis Brasch Librach:  April 16, 1992.

CURATORIAL PROJECTS

• Eco-Action/Collective Organizing.  Curator of exhibition of women art activists/technologists at the University of La Verne, in conjunction with the university’s multicultural symposium:  Spring, 2007.
• M.A.S. (Multimedia Art Show).  Curator of student show at Los Angeles Mission College:  Spring, 2004.
• Transmission.  Curator of mobile video installation at The Latch Gallery in Los Angeles:  Spring, 2002.
• Square Ideas.  Exhibition at the Humanities Center in Claremont, California:  May - September, 2000.
• Clarion Call.  Co-curator of exhibition at the Watts Labor Community Action Committee in Los Angeles, California:  Fall, 1999.

POSITIONS and ADDITIONAL EXPERIENCE
League of Imaginary Scientists.  Research Coordinator and Imaginary Scientist:  2005 – present.
Remote Control Monkey.  Creative Director and Technologist:  2005 – present.
HG Solomon.  Collaborator in filmmaking team:  2006 – present.
California State University, Northridge.  Visiting artist for Public Art:  2008.
California Institute of the Arts.  Artist in Residence at CalArts School of Film and Video, Inter-play workshop on telematic interaction:  2006.
VJ Theory.  Essayist for publication edited by Ana Carvalho and Brendan Byrne:  2006.
Trondheim Academy of Fine Art.  Guest Artist:  2005.
Rim Magazine.  Contributing Multimedia Critic for Mexico City-based art magazine:  2001 – present.
The Institute of Arts and Multimedia at Los Angeles Mission College.
Advisory Board Member:  2005 – present;
Co-founder of the Institute of Arts:  2005;
Director of Multimedia Studies:  2001 – 2005;
Assistant Professor of Multimedia Studies:  2001 – 2005.
J. Paul Getty Museum.  Workshop Facilitator:  2001.
El Camino College.  Web Design/Interactive Instructor:  2001.
Armory Center for the Arts.  Art Instructor:  2000 – 2001.
Claremont Graduate University.  Seminar, Photography in the Digital Era:  2000.
Generation IX Technologies, Inc.  New Media Artist:  1998 - 2000